Abel Ferrara
Birthday: 19 July 1951, The Bronx, New York, USA
Born in the Bronx, Ferrara started making amateur films on Super 8 in his teens before making his debut with violent exploitation films such as 'Driller Killer' and 'Ms.45'. Good r ...Show More
I was raised a Catholic and when you're raised a Catholic they don't teach you to think for yourself Show more
I was raised a Catholic and when you're raised a Catholic they don't teach you to think for yourself. You're taught not to think too deeply about things. Hide
My life is proof that I don't need you to do what I do. If there's no one to see it, I'll watch it.
My life is proof that I don't need you to do what I do. If there's no one to see it, I'll watch it.
Where I come from you're not raised to think on your own. It's not that you're pushed to read the Bi Show more
Where I come from you're not raised to think on your own. It's not that you're pushed to read the Bible. The Bible is read to you. Hide
But I'm never gonna get to a point in my life where what it costs to shoot a movie is going to deter Show more
But I'm never gonna get to a point in my life where what it costs to shoot a movie is going to determine what it is. The limits of my imagination is the only thing that's gonna stop me. Hide
It's only Western civilization that, God forbid, you talk about dying, when it's the only thing we k Show more
It's only Western civilization that, God forbid, you talk about dying, when it's the only thing we know for certain, right? Everyone's going to die, so what's the big problem? 'Oh, God. Don't talk about it. Don't think about it.' I mean, I'm one of them. I'm not a big fan of talking about dying. Hide
Life is what happens when you're doing other things, right?
Life is what happens when you're doing other things, right?
I don't know what DVD commentaries are about. I'd like to strangle the person who came up with that Show more
I don't know what DVD commentaries are about. I'd like to strangle the person who came up with that concept. Hide
No one can stop me from talking about my movie.
No one can stop me from talking about my movie.
Mulberry Street was the beating heart of the Italian-American experience, but you don't find those g Show more
Mulberry Street was the beating heart of the Italian-American experience, but you don't find those gangsters now. I live with a bunch of yuppies and models. Hide
My existence is about making movies, so I've just got to rock and roll with the punches. You want to Show more
My existence is about making movies, so I've just got to rock and roll with the punches. You want to make movies on telephones, I'm there. Hide
With 'New Rose Hotel,' I knew that I was getting paid a $100,000 fee to write, produce, and direct, Show more
With 'New Rose Hotel,' I knew that I was getting paid a $100,000 fee to write, produce, and direct, and that's all I was going to get. Hide
Making money is not gonna change anything about what I am, except I won't answer the door.
Making money is not gonna change anything about what I am, except I won't answer the door.
Listen, anybody who has a film festival has the right to show what they want.
Listen, anybody who has a film festival has the right to show what they want.
I'm not a big fan of talking about dying. And then I make a movie where I kill everybody.
I'm not a big fan of talking about dying. And then I make a movie where I kill everybody.
The actors that I love to work with, they're hard on me. They're pushing me.
The actors that I love to work with, they're hard on me. They're pushing me.
I'm a lapsed Buddhist like I'm a lapsed Catholic. I take it to a point.
I'm a lapsed Buddhist like I'm a lapsed Catholic. I take it to a point.
There's no such thing as a non-final cut director.
There's no such thing as a non-final cut director.
I was born in the Bronx, and then my father moved us to the country at an early age.
I was born in the Bronx, and then my father moved us to the country at an early age.
Most filmmaking is about shaking hands and just starting.
Most filmmaking is about shaking hands and just starting.
As an old-time New Yorker, it's not that I miss the '70s and '80s or whatever. I miss the fact that Show more
As an old-time New Yorker, it's not that I miss the '70s and '80s or whatever. I miss the fact that there was a certain kind of energy that exists when people can live for nothing. Hide
As barbaric is we are, it's a miracle we haven't blown ourselves off the face of the earth so far.
As barbaric is we are, it's a miracle we haven't blown ourselves off the face of the earth so far.
I'm about my characters.
I'm about my characters.
In the film business, it's basically honor among thieves.
In the film business, it's basically honor among thieves.
The secret is not to make a film that causes something like Virginia Tech to happen. The secret is t Show more
The secret is not to make a film that causes something like Virginia Tech to happen. The secret is to make a film that stops it happening. Hide
The more you get into any religion, it becomes the same. It really becomes how you treat other peopl Show more
The more you get into any religion, it becomes the same. It really becomes how you treat other people and how you get outside yourself. How you look to help other people, and how you get out of this 'I, me, mine' type of thing. Hide
The last day of your life is still going to be a day.
The last day of your life is still going to be a day.
Certain actors wanna get paid, they think working in a low-budget movie is being ripped off. But for Show more
Certain actors wanna get paid, they think working in a low-budget movie is being ripped off. But for others it's like, 'Yes, let's do it.' Hide
I don't care if I get $50 million to do a film.
I don't care if I get $50 million to do a film.
A script is not a piece of literature it's a process.
A script is not a piece of literature it's a process.
I live with a bunch of yuppies and models.
I live with a bunch of yuppies and models.
I grew up in the '60s, which was a creative time, so it wasn't that big of a stretch to go from a ba Show more
I grew up in the '60s, which was a creative time, so it wasn't that big of a stretch to go from a baseball bat to a guitar to a film camera. Hide
I come from a world where you get the film done, that's a success.
I come from a world where you get the film done, that's a success.
I don't have a problem with Werner Herzog.
I don't have a problem with Werner Herzog.
That's the thing about making a movie: You never finish editing. They just take it away from you.
That's the thing about making a movie: You never finish editing. They just take it away from you.
Abel Ferrara's FILMOGRAPHY
All
as Actor (9)
as Director (7)
as Creator (4)
![Acqua e zucchero: Carlo Di Palma, i colori della vita [Audio: Italian]](https://static.new-fmovies.cam/img/movies/K9ZR7U555RUPXrH1zMk40giiWiLMFDsDfS_QrG5peQYvdbx02YCnyIrsV4PF8s1ySCAVI2zX-vieDZG80G1n22pTMNkrHZnv38U8bcZuq10.jpg)
