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М (M - Eine Stadt sucht einen Mörder) [Sub: Eng]
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М (M - Eine Stadt sucht einen Mörder) [Sub: Eng]
CRITICS OF "М (M - Eine Stadt sucht einen Mörder) [Sub: Eng]"
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Guardian
Resource

September 04, 2014

It is a cousin to the early Hitchcock of The Lodger, and I have always found something even something faintly Ealingesque about its cynicism and satire.
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New Yorker
Resource

April 07, 2016

Our identification with [Lorre] as a psychopath is so complete it's hard to believe that while appearing before Fritz Lang's cameras in the daytime, he was, at night, acting as a comedian in a farce.
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Variety
Resource

November 11, 2006

An extraordinary, good, impressive and strong talker. Again fine work by Fritz Lang, and his wife and helper, Thea von Harbou.
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Little White Lies
Resource

September 04, 2014

You'll never look at a novelty balloon in the same way again.
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ColeSmithey.com
Resource

March 11, 2015

[VIDEO ESSAY] A precursor to the serial killer and policier genres, "M" is first and foremost a suspense thriller made all the more gripping because the identity of the killer is revealed in the first act.
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Philadelphia Inquirer
Resource

May 02, 2016

Lang's movie is that rare thing, a nail-biting soul-searcher. While M steers clear of analyzing deviance, it is startling in its musings on which punishment fits an inhuman crime.
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Los Angeles Times
Resource

April 11, 2013

Few films are gripping and effective 82 years after their original release, but this one surely is.
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Observer (UK)
Resource

September 07, 2014

Lang's razor-sharp dissection of crime and punishment never puts a foot wrong.
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Oregonian
Resource

March 28, 2013

Lang's film is a must-see for even a moderately ambitious film buff.
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Chicago Reader
Resource

February 09, 2007

The moral issues are complex and deftly handled: Lorre is at once entirely innocent and absolutely evil. Lang's detached, modified expressionist style gives the action a plastic beauty.
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Cinemaphile.org
Resource

September 02, 2013

The movie looms over our cinema like a hand of consequence, haunting us with its austerity and power long after others have faded from the mind.
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Time Out

March 12, 2013

This is a movie that dares to sympathize with a sick person, that risks making the monster real and us (in an era when Germany's cinema was still shellacked in canted angles and fanciful shadows).
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