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3 Days To Kill
Driving by his deep will of reuniting with his family, Ethan Enner, a CIA agent, who suffers from cancer that makes his life in danger, has left his job and travels to France, where he reunites with his daughter and wife, but in doing so, incidents come to climax, when he cannot get along with his daughter.
10 July 1992, Brussels, Belgium
22 April 1986, Austin, Texas, USA
1960, Heidelberg, Germany
3 December 1957, Neuilly-sur-Seine, Hauts-de-Seine, France
3 October 1967, Angers, Maine-et-Loire, France
31 October 1969, Los Angeles, California, USA
8 February 1961, France
28 December 1981, Cacak, Serbia, Yugoslavia
20 June 1972, Paris, France
18 January 1955, Lynwood, California, USA
June 27, 2014
Fine, in a mid-budget, wholly inconsequential way.February 28, 2014
Every gag is premised on the fact that Renner allows his work and personal lives to overlap, though this contradicts everything we've been told about him and would obviously heighten the risk to his loved ones.February 21, 2014
To the degree that the film works, it's because Costner plays the straight man.June 25, 2014
3 Days to Kill is a frequently bizarre, never boring mash-up that doesn't come together yet perfectly encapsulates everything both good and bad about Luc Besson's recent outputJune 21, 2016
The film itself is a tone-deaf, awkward mess that is miles below the actor's maligned bombs like Waterworld and The Postman.June 17, 2014
Charlie's Angels director McG used to know how to marshal a decent action scene (if nothing else), but that touch seems to have deserted him.February 24, 2014
Pure trash but it's entertaining as hell.October 10, 2014
( ... ) a mindlessly entertaining, disjointed, frequently unbelievable hell-for-leather action adventure.June 22, 2014
Something very special: a Kevin Costner vehicle that makes both The Postman and Waterworld seem fearsomely substantial.February 23, 2014
How did 3 Days to Kill, which doesn't have the worst imaginable premise, turn out this bad?June 24, 2014
French filmmaker Luc Besson continues to combine family themes with intense violence (see Taken), but at least this film has a wry sense of humour about it.February 23, 2014
The movie never finds a way to blend the emotional and the rat-a-tat-tat into one seamless package the way that Besson did in his one and only good movie, The Professional.