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Alex of Venice
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Alex of Venice

Description
After her stay-at-home husband leaves her, a workaholic attorney is forced to reinvent her life and discovers both a vulnerability and inner strength she had not yet tapped all while caring for her young son, ailing father and household all by herself.
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CRITICS OF "Alex of Venice"
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Flicks.co.nz
Resource

June 25, 2015

Passable at best, but doesn't quite have enough charm or humour to flavour the storytelling tofu.
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Los Angeles Times
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April 16, 2015

Chris Messina's "Alex of Venice" is as much a love letter to the Los Angeles neighborhood as it is a well-observed drama.
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Arizona Republic
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April 16, 2015

Although it's enjoyable, actor Chris Messina's directorial debut is somehow less than the sum of its parts, wading only through the shallow end of familiar human conflicts resolved too conveniently to satisfy.
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Paste Magazine
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April 23, 2015

The problem with Chris Messina's directorial debut isn't so much badness as it is superfluousness -- that it is less its own discrete thing than a redundant genre study in This Type of Movie.
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The Film Stage
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June 06, 2016

Alex of Venice might not break any new bounds in storytelling but it's a confident exploration of a traumatic life change.
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RogerEbert.com
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April 17, 2015

The movie's quirky setting pays off dividends where you least expect them. At such moments, the movie's humanism finally seems unforced, and everything is the better for that.
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New York Times
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April 16, 2015

An appealing portrait miniature of a woman who loses and finds her bearings ...
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FILMINK (Australia)
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July 23, 2015

Alex Of Venice closes with a bit of a whimper, though it's a pleasant ride, nevertheless.
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Flick Filosopher
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April 20, 2015

Mary Elizabeth Winstead is eminently relatable in a compassionate, human-scaled movie of the sort that movies have almost forgotten of late.
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Hollywood Reporter
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April 16, 2015

As she flails through a few dubious choices, the character may be on the kind of self-discovery path we've seen in countless other films; but Winstead makes the outcome seem far from preordained.
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We Got This Covered
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April 23, 2015

Chris Messina's directorial debut is a strong one, mainly because of a beautifully wounded leading performance by Marty Elizabeth Winstead that's full of strength, growth, and heartwarming soul.
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New York Daily News
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April 16, 2015

The film is so uneven, the characters and relationships so undeveloped, it's hard to work up much sympathy.
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