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All Things Must Pass The Rise and Fall of Tower Records
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Oregonian
Resource

December 03, 2015

Hanks found an amiable raconteur in Solomon, now 90 but sharp and focused on the business that was his life. A collection of Solomon's confidants sing his praises and get misty about how much fun they had in the old days.
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Arizona Republic
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November 19, 2015

As Bruce Springsteen says in the film, "Everybody in a record store is a little bit of your friend for 20 minutes or so." And he's right - including all the ups and downs that friendship entails.
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Entertainment Weekly
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November 05, 2015

The real beating heart of the film is its collection of wild war tales told by the company's former employees, who regarded Tower as more than just a paycheck gig or a commercial proposition.
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Madison Movie
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November 14, 2015

This is Tower's story, and Hanks tells in a way that will resonate with both grizzled music veterans who have hung onto their physical collections, and millennials wondering what all the fuss was about.
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The Film Stage
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February 20, 2016

A love letter to the store and Solomon ... but also to the bygone era of music consumption before iPods and Spotify.
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Globe and Mail
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December 04, 2015

We learn of the party-hearty environment and family-like vibe of a world where it was cool to write off cocaine as a business expense. And we see the hubris and myopia that doomed the industry.
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San Diego Reader
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November 06, 2015

It's loving and lovely, but goes too easy on the hubris and greed.
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Advocate (Baton Rouge, LA)
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December 11, 2015

Director Colin Hanks lets his affection for his subject run over. The film probably is for record aficionados only.
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Austin Chronicle
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November 05, 2015

Solomon's skills as a raconteur, the employees' unabashed love for their work, and the constant stream of rock music playing in the background advance the film into something much more than a talking-heads documentary.
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Boston Globe
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November 05, 2015

Lively and loving ...
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Charlotte Observer
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November 12, 2015

Hanks makes the rookie mistake of covering the same points too thoroughly - the film could be 10 to 15 minutes shorter - but you can see why he lets entertaining interviewees ramble a bit.
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Seattle Times
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November 05, 2015

Colin Hanks makes his feature directing debut with this irresistible documentary about the evolution of the music business.
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