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Apocalypto
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Apocalypto

Description
The Mayan kingdom is at the height of its opulence and power but the foundations of the empire are beginning to crumble. The leaders believe they must build more temples and sacrifice more people or their crops and citizens will die. Jaguar Paw hides his pregnant wife and his son in a deep hole nearby their tribe and is captured while fighting with his people.
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Apocalypto
CRITICS OF "Apocalypto"
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Empire Magazine Australasia

November 07, 2012

Damn if the movie, through Mel's sheer determination, doesn't almost turn from a fight-n-flight gore fest into a moving meditation on a civilisation in the throes of decline. Almost.
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Time Out
Resource

December 30, 2006

This is by no means a boring film, then, but it is a grotesque one, and that brings it pretty close to camp.
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ReelViews
Resource

December 08, 2006

It's unlike any other movie to reach theaters this year and, because it is as visual an experience as it is visceral, it is best seen on a large screen.
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Metro Times (Detroit, MI)
Resource

November 06, 2010

Ignore Apocalypto's symbolic hubbub and instead view it for Gibson's perverse sense of entertainment. His passionate spectacle of human destruction and doom packs a terrific visceral punch.
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rec.arts.movies.reviews
Resource

July 18, 2014

A quite exciting spectacle based on a racist version of indigenous history, one in which the genocidal conquistadors are the New World's liberators.
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New York Magazine/Vulture
Resource

June 29, 2007

Apocalypto demonstrates two things: that Mel Gibson is a hell of a filmmaker and that his imaginative world borders on the Neanderthal.
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CNN.com
Resource

December 30, 2006

As a piece of filmmaking it's certainly strong enough to restore his commercial viability. Whether that's to the good is another question entirely.
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Cinemaphile.org
Resource

October 22, 2013

Apocalypto isn't simply an effective movie, but an immensely powerful one: a benchmark and a foresight seemingly all rolled into one.
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CinePassion
Resource

August 28, 2009

Nothing if not visceral
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Ebert & Roeper

December 11, 2006

Mel Gibson is a real artist as a director.
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Matt's Movie Reviews
Resource

July 06, 2010

Shot with digital camera on location in Mexico, Mel Gibson has created a visually stunning action/adventure epic that although has divided many with its historical accuracy, has spared no expense in bringing life to a world before European colonization.
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New Yorker

December 11, 2006

[Gibson] has learned how to tell a tale, and to raise a pulse in the telling. You have to admire that basic gift, uncommon as it is in Hollywood these days, though equally you have to ask what obsessions goad it on.
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