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Fmovies

Baskin

Description
A five-man unit of cops on night patrol get more than they bargain for when they arrive at a creepy backwater town, only to face a night of horror in a subterranean labyrinth after answering a distress call. 
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DIRECTORS OF "Baskin"
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CRITICS OF "Baskin"
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Times (UK)
Resource

October 10, 2016

Stylishly mounted, well paced, with clever use of flashbacks, and written with panache.
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BuzzFeed News
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April 01, 2016

Part art film slow burn and part extreme splatterfest, Baskin is best enjoyed as a movie that features the memorable image of a man gouging out someone's eyeball with a knife and then French-kissing the bloody socket.
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New York Times
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March 24, 2016

Tickling the mind even as it lurches the gut, "Baskin," a stylish, shape-shifting horror film from Turkey, pulls a bait-and-switch.
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El antepenúltimo mohicano
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September 29, 2016

Baskin never loses its genuine identity that makes it outstand on the billboard that needs more films like this. [Full review in Spanish]
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Bloody Disgusting
Resource

April 07, 2017

It's the kind of arthouse horror that becomes a household name among genre fans. It's so shocking (at times) and so astoundingly well made that, if anything, I think it puts an exclamation stamp next to Can Evrenol's name as one of the futures of horror.
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Time Out
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July 11, 2016

Hey, Nicolas Winding Refn: this is how it's done.
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Los Angeles Times
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March 31, 2016

The pacing is slack and the splatter excessive, but this twisted cross-genre exercise should be red meat to gore-hounds.
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Blog de cine
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October 26, 2016

A film that is like a trip to hell. Even though its plot seems to deflate a bit, the final part becomes a catharsis of terror. [Full review in Spanish]
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RogerEbert.com
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March 25, 2016

"Baskin" is a perfectly imbalanced mix of chilly atmosphere, heavy-handed symbolism, and familiar horror-movie tropes.
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El Pais (Spain)
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September 23, 2016

A good example of a short film used as a direct way to a film debut. [Full review in Spanish]
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Seattle Times
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March 31, 2016

A torture-gore blowout that rises above pure nausea with an intriguing blur of possible realities.
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