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Casualties of War
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Casualties of War

Description
During the Vietnam war, a girl is taken from her village by five American soldiers. Four of the soldiers rape her, but the fifth refuses. And then tensions between him and the rest of the unit heat up and finally explode during a firefight with Viet Cong troops.
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Casualties of War
CRITICS OF "Casualties of War"
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Ozus' World Movie Reviews
Resource

May 28, 2015

Makes us look at the mistaken Vietnam War as something that's dehumanizing.
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Variety
Resource

March 26, 2009

A powerful metaphor of the national shame that was America's orgy of destruction in Vietnam, Brian De Palma's film deals directly with the harrowing rape and murder of a Vietnamese woman by four GIs.
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Washington Post
Resource

January 01, 2000

It is a breakthrough work, a signal of an artist's blossoming maturity, and one of the most punishing, morally complex movies about men at war ever made.
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Film4
Resource

March 16, 2015

A typical De Palma film, disturbingly based on true events, Casualties Of War works well enough.
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The Film Stage
Resource

July 20, 2016

Speaking to our near-masochistic desire to revisit works in the hope that we can reverse the tragic outcome, Casualties of War perhaps transcends the very label of "war film."
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Los Angeles Times
Resource

March 16, 2015

There's a moral charge to the action, but it's also swooningly exciting, coldly scary. Every friend may be an enemy, every innocent a traitor.
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Time Out
Resource

June 24, 2006

Casualties of War is dull.
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Reel Film Reviews
Resource

May 10, 2016

The strong conclusion ensures that the film ends on a somewhat powerful note...
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TV Guide
Resource

March 16, 2015

Top acting honors go to Penn as the sergeant and Thuy Thu Le as the captive girl.
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Washington Post
Resource

January 01, 2000

Another Brian De Palma movie, another bludgeoning. Or stabbing. Or body-drilling. Whatever -- as long as the victim's a woman.
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Empire Magazine
Resource

March 16, 2015

Michael J. Fox is a revelation as the mouse that roared, whilst the score, the direction, and the rest of the cast turn a risky film into a solid addition to the Nam canon.
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New York Times

May 20, 2003

Mr. Penn plays Meserve with terrific elan. There is plausibility in every movement and gesture, and especially in his crafty handsomeness. His Meserve is the sort of man one credits with thoughts when the mind may, in fact, be completely blank.
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