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Che: Part One
CRITICS OF "Che: Part One"
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Las Vegas CityLife
Resource

January 26, 2011

The director sees Guevara as a pure humanitarian. ... The films are excellent, but understanding this complex historical figure requires more than one source.
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Film.com
Resource

March 06, 2009

There is precious little in these movies to fill out our understanding of what it was that made Che a rebel, a leader of men, and the repository of the romantic dreams of several generations of armchair revolutionaries
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Detroit News
Resource

January 23, 2009

Che, the story of a failed revolutionary, also fails as a film.
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DCist
Resource

June 13, 2010

Soderbergh has no interest in sentimentality, or back story, or even really in Guevara's philosophy, except as a rigorously footnoted onscreen reflection. Practically rejecting outright the concept of poetic license, Che is radical as a biopic.
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East Bay Express
Resource

August 16, 2011

The myth somehow deserves better.
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MovieTime, ABC Radio National
Resource

October 01, 2009

Soderbergh has made two almost perfect war films, more like the Rings Trilogy than The Green Berets.
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Toronto Star
Resource

February 20, 2009

A potentially great title-role performance by Benicio Del Toro, which won him the best actor award at Cannes, is buried beneath Soderbergh's stylistic tics and a defiant lack of dramatic tension.
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What Culture
Resource

March 24, 2011

The quality of the film is more than a testament to Mr Del Toro's acting skills, it is a reminder that Hollywood can make great films without 'selling out'.
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Movie Metropolis
Resource

January 17, 2010

Che is a ground-level study in perseverance.
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Miami Herald
Resource

January 23, 2009

As absorbing as it is frustrating.
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Q Network Film Desk
Resource

February 04, 2010

simultaneously a Hollywood throwback with its lengthy, four-and-a-half-hour roadshow grandiosity and a challenging experiment in genre reformulation
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Orlando Sentinel
Resource

February 18, 2009

In releasing this reverent, meticulous, fascinating but flaccid history in two lengthy parts, Soderbergh committed perhaps the greatest sin of all. He made Che boring.
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