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Funny People
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Funny People
CRITICS OF "Funny People"
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ComingSoon.net
Resource

March 22, 2011

For all its qualities Funny People never quite comes together. It can't quite decide who it wants to be about, whether it wants to be a comedy or a drama and in trying to be all things at once it never quite hits its full potential.
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Time Out
Resource

August 29, 2009

This is a generous, goodhearted, enjoyable movie, loaded with memorable characters and genuine wit. But there's such a thing as giving a little too much.
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GQ Magazine [UK]
Resource

August 16, 2015

At over two hours, it moves at the dignified pace of a Bergman film rather than, well, a Happy Gilmore or a Waterboy, but the director can rest easy, it's another hit.
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Las Vegas CityLife
Resource

February 01, 2011

Apatow draws on his own experience to explore behavioral nuances of people that make us laugh, and it's no secret that being funny is not the same as being happy.
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Deadspin
Resource

June 22, 2013

The unique hatred of yourself, and your audience, required of being a comedian is something that Apatow (and Sandler) understand profoundly: That's what this movie is about.
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Film.com
Resource

May 06, 2011

Funny People is funny, moving, dramatic, and alternately hilarious. It's a bit like a stand-up dramedy.
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Film.com
Resource

August 25, 2009

The good parts of this movie are often wonderful, but Apatow never finds the rhythm to keep it going. It lurches from inspiration to inspiration, but always manages to muddy its feet in mediocrity in between, as it drags on toward the two-and-a-half-hour
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TheShiznit.co.uk
Resource

September 29, 2012

Why does Funny People often feel like a joke without a punchline?
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At the Movies

August 03, 2009

It walks a perfectly fine line between being funny and tragic.
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Quickflix
Resource

October 27, 2010

Funny People may be deeply flawed, but at least it has an accurate title.
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Chicago Reader
Resource

August 20, 2009

Judd Apatow (Knocked Up, The 40-Year-Old Virgin) takes some interesting chances in this messy but engaging comedy, which suggests he may yet mature (no, seriously) into a filmmaker of substance.
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