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Gods Pocket
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Gods Pocket

Description
Mickey Scarpato is a crime, but his nature is not evil. Just because he loves his wife, Mickey Scarpato determines to earn more money by all means. Until one day the police discover a purposeful assassination at a construction site that all suspicions are aimed at Mickey Scarpato…
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Gods Pocket
CRITICS OF "Gods Pocket"
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El Pais (Spain)
Resource

April 07, 2016

God's Pocket reveals Slattery as a capable director who can provide a generous playground for his actors, but his expressive ways need tempering. [Full Review in Spanish]
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Detroit News
Resource

May 16, 2014

Turns out accents and attitude only go so far.
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Washington Post
Resource

May 15, 2014

What began as an intriguing snapshot begins to feel grotesque and inscrutable.
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Vanity Fair
Resource

January 09, 2015

Its crazed whirlwind of tones suddenly made perfect sense once the location is established. If you're from Philly, you'll get it.
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The Film Stage
Resource

June 21, 2016

It's place full of colorful characters but lacking in a particularly interesting tale to tell, or a particularly interesting way to tell it.
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Chicago Reader
Resource

May 22, 2014

A dud.
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Philadelphia Inquirer
Resource

May 16, 2014

A messy, shallow, muddled morass of a Philadelphia crime story set in 1978 ...
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Flavorwire
Resource

June 18, 2016

Slattery shows real promise as a director, guiding his actors with ease and effectively evoking a very specific time and place.
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2UE That Movie Show
Resource

September 27, 2014

God's Pocket is strange one, but a strange one that I can't stop thinking about.
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Boston Globe
Resource

May 15, 2014

A fair amount of the film leaves you wondering about the categorizations it's courted as a dark comedy. If the tag legitimately applies, then it takes Slattery a while to find his footing, if he ever really does.
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Birmingham Mail
Resource

October 10, 2014

The colour balance, locations, set designs and dialogue have an authenticity we rarely see in bigger budget movies and the characters are, well, characters.
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Seattle Times

May 15, 2014

What's left is an awkward blend of tragedy and comedy, in a movie that doesn't feel as if it has earned the right to be either.
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