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Greed (Les rapaces)
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Greed (Les rapaces)

Description
Based on the turn-of-the-century novel McTeague by Frank Norris, Greed takes place primarily in the San Francisco of the early 1900's. McTeague (Gibson Gowland), a brutish, earthy man comes to practice dentistry in the lower-middle-class Polk Street district. There he meets and befriends Marcus Schouler (Jean Hersholt).
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ColeSmithey.com

December 12, 2006

Even in its severely edited form Von Stroheim's masterpiece is just that; a masterpiece.
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Village Voice
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June 17, 2008

Von Stroheim's rep, after a long dormancy, has been on the rise, and this is the best evidence of his work you'll get until someone finds those lost five hours in some Ukrainian subcellar.
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Village Voice

January 01, 2000

Von Stroheim's rep, after a long dormancy, has been on the rise, and this is the best evidence of his work you'll get until someone finds those lost five hours in some Ukrainian subcellar.
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Boulder Weekly

September 03, 2004

Von Stroheim's butchered masterpiece
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The Spectator
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May 08, 2018

On behalf of the minority of film-goers who will, however even they may be shocked by [Erich von Stroheim's] fierce realism, perceive that he has made here a masterpiece in quite a new manner, one feels inclined to thank him.
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Variety
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February 23, 2012

The picture brings to light three great character performances by Gibson Gowland as McTeague, Jean Hersholt as the chum, and ZaSu Pitts as the wife.
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New York Times

March 25, 2006

Mr. von Stroheim has not missed a vulgar point, but on the other hand his direction of the effort is cunningly dramatic.
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Electric Sheep
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September 03, 2015

A fascinating, exhilarating, immensely satisfying experience.
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Radio Times
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May 28, 2003

[Stroheim's] obsession with realistic detail reached its zenith during the final sequences in Death Valley, where the actors suffered hugely for the director's art.
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Chicago Sun-Times
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January 06, 2002

Erich von Stroheim's Greed (1925), like the Venus de Milo, is acclaimed as a classic despite missing several parts deemed essential by its creator.
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Nitrate Online

June 09, 2004

Von Stroheim's groundbreaking film is still intriguing.
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Time Out
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February 09, 2006

Even now its relentlessly cynical portrait of physical and moral squalor retains the ability to shock, while the Von's obsessive attention to realist detail is never prosaic.
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