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Kite
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Kite

Description
Kite (2014) is a film telling about Sawa - the main character. The content begins from the date when her father was killed by a mob. Sawa is extremely angry so she has collaborated with her fathers colleague to find the enemy. However, everything is not so simple when the hidden enemy always tries to kill her.  
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Kite
CRITICS OF "Kite"
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Film School Rejects
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October 06, 2014

Every exterior is foggy to diminish how far we can see... ie how far the production design could afford to make look like a rundown near future.
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New York Times
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October 09, 2014

Nasty for nastiness's sake, "Kite" drags to achieve its brief running time; you wonder whether the slow motion is an artistic device or a stalling tactic.
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Hollywood Reporter
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October 06, 2014

Bloodthirsty young women are no longer novel enough that this watered-down revenger can expect us to pay attention without bringing something new to the table.
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Huffington Post
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September 29, 2014

For anyone compiling a list of Samuel L. Jackson's worst films, you're in for a treat. Kite will be hard to beat.
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The Dissolve
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October 13, 2014

Filled with light parkour, terrible speed-ramping, and frenetically edited combat, Ziman's film could easily be repackaged as The Asylum's ripoff of Lucy.
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Los Angeles Times
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October 10, 2014

Ziman struggles mightily to weave hot-girl assassin shtick, trendy exploitation style and future-shock grimness: The default setting seems to be whatever you've seen in a hundred other movies (and heard - the electronic score is pure digital Muzak).
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New York Post
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October 09, 2014

A kill-a-minute gore-a-thon whose twist is so obvious your grandma Edna will see it coming, "Kite" never gets off the ground.
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Blu-ray.com
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October 09, 2014

It's impossible to get all worked up with a formulaic revenge story when the participants don't seem like they want to be here either.
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JoBlo's Movie Emporium
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July 22, 2014

Worse than any Uwe Boll movie. Just terrible.
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Village Voice
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October 07, 2014

In a film that pits the heroine directly against the sexualization of young women, the camera's gaze itself feels awfully exploitative.
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Screen-Space
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September 04, 2014

Dabbling in the same fetish-feminism and coldly-served revenge fantasies that made Zack Snyder's Sucker Punch such a wildly divisive work...Ralph Ziman brings an appropriately seedy but miserably downbeat aesthetic to this long-in-development adaptation.
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New York Daily News
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October 08, 2014

Ziman pretends to be empowering his young heroine by putting a gun in her hand and tough words in her mouth. But there's something deeply discomforting about his camera's fetishistic leering.
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