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Long Day's Journey Into Night (Diqiu zuihou de yewan) [Sub: Eng]
The film explores a story of Luo Hongwu who returns to Kaili, the hometown from which he fled 12 years earlier. In this beautiful town, there are memories of an enigmatic and beautiful woman resurface that may change his life. This woman that he loved and whom he has never been able to forget for all these years. Now,-Luo Hongwu begins his search for her for find the love again and restore the Past and present, and dream.
7 October 1979, Wenzhou, Zhejiang, China
22 July 1953, Chiayi, Taiwan
August 17, 1975 in Nanning, Guangxi, China
May 10, 1990 in Taipei, Taiwan
February 26, 1980 in Taipei, Taiwan
October 11, 2018
There is some satisfaction that comes in seeing motifs and symbols established within the first part of Long Day's Journey Into Night as they re-emerge in the galvanizing high-wire act performance of the second.May 16, 2018
The Chinese director's sophomore effort is a fascinating application of filmmaking innovation toward expressionistic ends.October 25, 2018
Nothing makes much sense, but everything is gorgeous.October 10, 2018
With a daunting level of detail and expert grasp of mood, Long Day's Journey ventures into expressionistic new territory, pondering questions of time, space, and truth.October 23, 2018
Make no mistake about it, Long Day's Journey Into Night is a flat-out masterpiece and Cannes organizers might want to rethink their selection choices next time.May 19, 2018
Comes up short in substance.May 15, 2018
A densely layered and slowly mesmerizing cinematic feat.October 19, 2018
This dazzlingly opaque dream-drama is one-of-a-kind.September 24, 2018
Somehow, Bi Gan's film is self-aware and fluid as its own viewing experience, yet inextricable from its loud-and-clear influences.February 12, 2019
All style, no substance.September 27, 2018
This critic, however, cannot avoid the sensation that [director] Bi Gan, at certain moments, seeks effect more than coherence. [Full review in Spanish]March 02, 2019
Long Day's Journey Into Night has been declared a masterpiece before most audiences have had a chance to see it, but that does disservice to Bi Gan's risk-taking in what's only his second feature.