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My Son, My Son, What Have Ye Done
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DIRECTORS OF "My Son, My Son, What Have Ye Done"
My Son, My Son, What Have Ye Done
CRITICS OF "My Son, My Son, What Have Ye Done"
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Film4
Resource

September 10, 2010

It is a film that addresses itself directly to the audience of Lynch and Herzog, and sets out, in its own special way, to "razzle them, dazzle them, razzle dazzle them."
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Time Out
Resource

September 08, 2010

My Son, My Son... may be a minor work in the Herzog canon but it's still one of the more fascinating, frustrating, disturbing and beautiful experiences available to cinemagoers this year.
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Los Angeles Times
Resource

December 18, 2009

As a writer-director with five decades' worth of notable screen work to his credit, [Herzog] certainly can't be faulted for taking risks, even if it means now and then, well, falling on his sword.
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Total Film
Resource

September 10, 2010

It's like Psycho remade by Ed Wood.
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ReelTalk Movie Reviews
Resource

September 25, 2010

The version of madness displayed by [Michael Shannon's] Brad is not typically dramatic; it's mostly just strange, and dances the line bordering on goofiness.
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Chicago Reader
Resource

January 03, 2011

What they deliver is the sort of fake mysticism that usually ensues when secular intellectuals try to plumb the depths of religious faith.
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Seattle Times
Resource

April 08, 2010

One of Herzog's quirky misfires.
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Daily Express (UK)
Resource

September 13, 2010

More like a bad dream than a good film.
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Guardian
Resource

September 09, 2010

My Son, My Son, What Have Ye Done finds God in a cereal box and Satan on an ostrich farm.
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Minneapolis Star Tribune
Resource

February 26, 2010

Lynch and Herzog have tickled us for years with their dwarves and iguanas and impenetrable stories. This collaboration represents the vanishing point of willful obscurity.
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Daily Telegraph (UK)
Resource

September 10, 2010

Oddly understated, it's nevertheless as unnerving a vision of disintegration in suburbia as you'd expect from director Werner Herzog and producer David Lynch.
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Chicago Sun-Times
Resource

April 08, 2010

Confounds all convention and denies all expected pleasures, providing instead the delight of watching Herzog feed the police hostage formula into the Mixmaster of his imagination.
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