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Fmovies

Notes On Blindness

Description
In the summer of 1983, just days before the birth of his first son, writer and theologian John Hull went blind. John then starts making a diary on audio cassette to make sense of all the changes.
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DIRECTORS OF "Notes On Blindness"
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CREATORS OF "Notes On Blindness"
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CRITICS OF "Notes On Blindness"
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Film Journal International
Resource

November 16, 2016

This daring re-enactment of one man's going blind is not only successful, but deeply moving and enlightening.
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Los Angeles Times
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December 01, 2016

Achingly poignant and startlingly immediate
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New York Times
Resource

November 15, 2016

The tone of the narration is so wrenchingly honest that the film never lapses into self-pity or relies on mystical platitudes.
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NYC Movie Guru
Resource

November 15, 2016

A genuinely moving, profound and haunting experience that might change the way you perceive the sights and sounds around you.
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Film Ireland Magazine
Resource

January 03, 2017

Notes on Blindness is a moving, intimate documentary, a triumph of sound and image, and a poetic examination of love, loss, memory and marriage.
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Chicago Reader
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January 05, 2017

English writer and theologian John Hull, who went blind in the early 1980s and kept an audio diary of his experience, is the subject of this thought-provoking film, which takes an unusual if not always successful approach to the documentary form.
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Hollywood Reporter
Resource

November 21, 2016

A deeply sensitive interpretation of the subject's reflective testament on disability.
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MovieMail
Resource

December 12, 2016

Sighted viewers should be thankful enough; for cinemagoers who've suffered or who are suffering sight problems, Notes on Blindness might well comprise the most powerful -- and most empowering -- audio-described screening in years.
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Village Voice
Resource

November 16, 2016

The filmmakers create art out of what too often is a documentary stopgap.
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Slant Magazine
Resource

November 14, 2016

Its fatal mistake is to make up for blindness, instead of embracing it as something other than a liability.
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RogerEbert.com
Resource

November 16, 2016

Quite often, the filmmakers go for blurry scenery, surreal events and odd camera shots that feel more like gimmicks than an accurate representation of its subject's affliction.
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