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Rosencrantz and Guildenstern Are Dead
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Needcoffee.com

August 15, 2003

Probably the best stage to screen adaptation I've ever seen. Essential.
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New York Times

May 20, 2003

As happens at the opera, one usually laughs (if one laughs at all) not because something is funny, but because one has successfully recognized that it is supposed to be funny.
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Film4
Resource

July 03, 2008

A disastrous adaptation of an excellent play.
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Spirituality and Practice
Resource

July 10, 2003

Tom Stoppard's 1967 morality play has been translated into a high-spirited and well-acted film.
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DVDJournal.com
Resource

April 05, 2006

...On stage, the sprightly teleological riffs and bebop dialogue delight as ends in themselves. Here they're leaden and compromised. What happened?
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Time Out
Resource

February 09, 2006

Both Oldman and Roth turn in flat and uninspiring performances.
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Washington Post
Resource

January 01, 2000

Staged as they are here, the jokes and the fourth-wall gamesmanship don't seem as funny as they did on the page.
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Nitrate Online

May 13, 2004

Really head-twisting adaptation of the play with fine work from Oldman and Roth.
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Kalamazoo Gazette

July 29, 2002

"belongs on the stage, but for what it is, not bad"
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TV Guide
Resource

July 03, 2008

Unfortunately, Stoppard the director does not match the invigorating brilliance of Stoppard the writer.
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Flipside Movie Emporium

January 21, 2003

By trying to take advantage of the medium, Stoppard loses track of what makes his work so wonderful. This belongs on the stage.
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Chicago Sun-Times
Resource

January 01, 2000

As a movie, this material, freely adapted by Stoppard, is boring and endless. It lies flat on the screen, hardly stirring.
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