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DIRECTORS OF "Shut In"
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CREATORS OF "Shut In"
Shut In
CRITICS OF "Shut In"
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HeyUGuys
Resource

February 24, 2017

Too generic, and is contained within a genre that needs innovation and resourcefulness to stand out from the crowd, as a saturated market where so few productions feel unique.
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Time Out
Resource

November 15, 2016

As Mary loses sleep, her paranoia worsens, yet Christina Hodson's monotonous script fails to make Mary's psychological struggles feel any more severe than a case of misplaced keys.
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Variety
Resource

November 11, 2016

It was a dark and stormy night. Suddenly, scads of cliches appeared on the horizon.
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Radio Times
Resource

February 23, 2017

It's more likely to have the viewer giggling in disbelief than gasping with shock.
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Movie Chambers
Resource

March 16, 2017

It's the audience that gets locked into a "deep vegetative state."
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New York Observer
Resource

November 16, 2016

There isn't one genuine thrill in the whole thing. I've had bigger scares from my goldfish bowl.
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AV Club
Resource

November 13, 2016

Watts gives her all to this overheated nonsense, but is powerless to make emotional sense of what turns out to be the story's twisted central relationship, and ends up being just another fiercely maternal damsel in distress.
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Eye for Film
Resource

February 24, 2017

Shut In feels unfinished and scrappy. If you want to watch Watts wriggling around naked and bound in a bathtub, it may entertain you for five minutes, but the only thing that's scary about it is the waste of talent.
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Common Sense Media
Resource

January 19, 2017

This shockingly empty thriller has a great cast, but, while delivering its jump-scares, it completely ignores the story's looming, daunting psychological and emotional ramifications.
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New York Times
Resource

November 12, 2016

In this achingly inept thriller, you will see Naomi Watts do what she can to sell a plot of such preposterousness that the derisory laughter around me began barely 20 minutes in.
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Guardian
Resource

February 23, 2017

It's low-key and modestly budgeted, but perfectly well made, and Watts maintains a cool and steady presence.
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Hollywood Reporter
Resource

November 12, 2016

This hokey horror film should have stayed cooped up.
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