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CREATORS OF "The Chronicles of Riddick"
The Chronicles of Riddick
CRITICS OF "The Chronicles of Riddick"
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Cinema Crazed
Resource

April 29, 2009

There are many plot holes, an inappropriately overly complicated plot, and a lot of pointless aspects that never even bother to make the least bit of sense.
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L.A. Weekly

June 17, 2004

With writer-director David Twohy's mega-budget follow-up to his Pitch Black, what was once a purring engine has become a gas-guzzling, accident-prone Humvee.
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Washington Post
Resource

June 11, 2004

The muddy, convoluted story revolves around the star's cool-guy poses and one-liners.
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Groucho Reviews
Resource

March 30, 2009

Vainly attempts to elevate Riddick into a mythological hero in a political-intrigue contest meant to be Dune in an action context, though it's a lot more like Stargate in a crap context. [Blu-ray]
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Antagony & Ecstasy
Resource

September 11, 2013

Makes absolutely no sense in its theatrical cut and still feels awfully messy in Twohy's director's cut.
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Time Out
Resource

February 09, 2006

The sequel baton pass at the finale is pretty nifty, but it's surely asking too much to think the filmmakers could leave us wanting more. Come to think of it, much, much less would have been best.
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Village Voice
Resource

June 15, 2004

A preening outer-space costume drama staged as a backdrop for its leading man's muscles.
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Common Sense Media

December 28, 2010

Very violent, brainless explosion movie.
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Lawrence.com
Resource

September 29, 2006

Riddick is a loner, Dottie, a rebel. He's a simple man, like Pee-Wee Herman, who is not concerned with getting the girl. But, unlike Pee-Wee, poor Riddick doesn't even have a bicycle for companionship.
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Salon.com
Resource

June 12, 2004

I enjoyed it immensely, but not because it was any damn good.
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Sacramento News & Review

August 07, 2008

Twohy gives the film a vehement comic-book energy, and the eye-popping production design by Holger Gross is like Boris Vallejo's Greatest Hits come to life.
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Ebert & Roeper

June 14, 2004

The Chronicles Of Riddick is never dull, but it's far, far, far too pretentious.
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