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The End Of Violence
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The End Of Violence

Description
Movie producer Mike Max meditates on the paranoia of fear of attack, in the movie business and life in general, as his wife Page announces she is leaving him.  Suddenly Mike is kidnapped by two bandits, but escapes and hides out with his Mexican gardener for a while. At the same time, surveillance expert Ray Bering is looking for what happens in the city, but it is not clear what he wants. The police investigation for disappearance of Max which is led by detective Doc Block.
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Zap2it.com

September 28, 2005

Boring, incoherent and insultingly didactic. It's like Wenders has never been to America, never observed Americans and never even seen an American movie.
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USA Today

January 01, 2000

Skip the movie but buy the CD.
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Salon.com

January 01, 2000

A muddled, sentimental Euro-American hash, redeemed here and there from its fatal purposelessness by a few moments that remind us we're in the presence of a genuine cinematic visionary.
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Shadows on the Wall

November 08, 2004

astonishing but uneven
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Combustible Celluloid
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March 27, 2015

[Has] many potent moments.
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Globe and Mail

July 12, 2002

A longwinded exercise in pretentious confusion.
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Houston Chronicle

January 01, 2000

This goes on for two hours and two minutes. When I staggered out of the theater, I asked if Clinton was still president.
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TheMovieReport.com
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January 05, 2009

A disjointed mess where a lot goes on but nothing happens.
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Cinema em Cena
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May 31, 2002

A trama principal se perde em um emaranhado de cenas que, rigorosamente, nada acrescentam ao filme.
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ReelViews
Resource

January 01, 2000

Offers viewers opportunities to ponder a variety of diverse subjects, but its overall entertainment value is less than one might hope for.
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Boxoffice Magazine
Resource

June 05, 2002

Wenders' observations and subtextual commentary about violence in American society are well-served by the nuances of Nicholas Klein's script.
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San Francisco Chronicle
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January 01, 2000

A meandering mess, a plodding dud.
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