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DIRECTORS OF "The Ghoul"
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CREATORS OF "The Ghoul"
The Ghoul
CRITICS OF "The Ghoul"
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Radio Times
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August 03, 2017

Sinuously photographed by Benjamin Pritchard, this will have your head spinning for days.
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Variety
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November 01, 2016

British writer-helmer Gareth Tunley makes an auspicious debut with this blend of Lynchian psychodrama with low-budget cop mystery.
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Observer (UK)
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August 06, 2017

First time writer/director Gareth Tunley marshals the meagre resources of this micro-budget psychological thriller and creates a pleasingly perplexing enigma of a movie.
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Daily Express (UK)
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August 03, 2017

It may not withstand close scrutiny but The Ghoul provides a workout for the little grey cells and suggests Tunley is a filmmaker to watch.
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SciFiNow
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August 04, 2017

The Ghoul proves to be a dark, atmospheric and surprisingly moving portrayal of a crumbling psyche.
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Hollywood Reporter
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August 11, 2017

Tunley confirms his mastery of macabre moods here. Now he needs a bigger budget and a broader canvas.
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Reeling Reviews
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September 05, 2017

Writer/director Gareth Tunley's moebius strip of a movie is a puzzle piece like "Memento" crossed with the satanic tone of executive producer Ben Wheatley's "Kill List" and Simon Rumley's "The Living and the Dead's" unsettling portrait of mental illness.
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Little White Lies
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August 04, 2017

Like the oft-referenced Möbius strip, lots of empty surface, precious little feeling.
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Times (UK)
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August 03, 2017

The title suggests an orgy of the undead loaded with jump scares, but this is a more restrained and more disturbing proposition. The monster here is metaphorical: part depression, part manic obsession.
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Sunday Times (UK)
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August 07, 2017

Chris's depression is well drawn out, but when the film broadens into vague questions about the occult, it becomes unfocused, before finishing up with a hammy scene that undoes much of the careful characterisation that came before.
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The Arts Desk
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August 03, 2017

The Ghoul is an occult British thriller about depression, with a bleakly poetic view of London, and a seedy sadness at its core.
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The Stranger (Seattle, WA)
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August 18, 2017

The British import The Ghoul is a clever, deceptively chilly example of narrative unreliability, presenting an increasingly askew perspective in a way that's somehow both off-putting and absorbing. It lingers.
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