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The Housemaid (Hanyo) [Sub: Eng]
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DIRECTORS OF "The Housemaid (Hanyo) [Sub: Eng]"
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CREATORS OF "The Housemaid (Hanyo) [Sub: Eng]"
The Housemaid (Hanyo) [Sub: Eng]
CRITICS OF "The Housemaid (Hanyo) [Sub: Eng]"
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Digital Spy
Resource

July 14, 2011

With the honourable exception of a film-saving Byung-sik, the characters are too unpleasant and two-dimensional to keep it together.
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Chicago Reader
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December 13, 2011

The situation continues to fester, the balance of power shifts back and forth among some wonderfully defined characters.
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Minneapolis Star Tribune
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February 17, 2011

"The Housemaid" scores on so many levels it's hard to know where to begin.
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Arkansas Democrat-Gazette
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May 15, 2011

...an echo of the 1960 film perhaps, but it's an echo that has been compressed and processed, run through the stomp box that is director Im Sang-soo's imagination.
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Tiny Mix Tapes
Resource

October 04, 2017

While it effectively sticks the knife into upper-class mores, it certainly has a been-there, done-that feel to it that the former does not.
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New York Daily News
Resource

April 12, 2016

Im Sang-soo can't improve on Kim Ki-young's 1960 original, a jaIm Sang-soo can't improve on Kim Ki-young's 1960 original, a jarring and operatic cult favorite. Still, he does tweak the themes in intriguing fashion.
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Miami Herald
Resource

March 18, 2011

The graphic sex scenes radiate an uncommon heat, and Im can pull off a hugely effective shock when he wants to.
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Film Threat

October 25, 2011

Quick to show its characters' skin but less inclined to explore what lies beneath it.
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Quickflix
Resource

April 11, 2011

Im Sang-soo's The Housemaid either doesn't know what it wants to be, or is trying to be too many things at once. Few films can claim to be over-ambitious and half-hearted at the same time, but there you go.
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Detroit News
Resource

February 25, 2011

Writer-director Im Sang-Soo injects a certain sense of otherworldliness in the proceedings -- the final scene is straight from David Lynchland --- which may not make things mesmerizing, but does deliver a consistently odd angle.
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Lessons of Darkness
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April 17, 2011

Exudes a surreal sense of deranged domestic privilege.
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St. Louis Post-Dispatch
Resource

March 04, 2011

The movie kowtows to the old truism that the rich are different - but it does it with a sardonic smile.
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