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The Nines

Description
After being drunk and crashes his car, troubled actor Gary wakes up and finds himself under home arrest. From that moment, he begins to be haunted by the number 9 since that numbers appears everywhere in the newspapers, magazines, and TV. Meanwhile, he also find his own writing 'Look for the nines', a memo he does not remember writing.
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The Nines
CRITICS OF "The Nines"
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Sci-Fi Movie Page
Resource

August 27, 2008

The sort of movie that would probably appeal to Ryan Reynolds' detractors . . .
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Newsday

August 31, 2007

The cosmic "resolution" that ties the stories together proves less interesting than the stories themselves.
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Associated Press

August 31, 2007

Confusing? Yes, and intentionally so. But it's never boring.
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Paste Magazine
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June 08, 2008

August is on solid ground when he's riffing on Stephen King and celebrities, but he's stretching when he tries to be David Lynch, which would require a distinctly different kind of brain damage.
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Urban Cinefile
Resource

October 04, 2008

It defies categorisation, which I love, and defies logic, which is very European. But it's also clever, funny and compelling
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Time Out
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November 29, 2007

This overreaching, Lynch-lite comic drama is the mediocre directorial debut of screenwriter John August ('Charlie's Angels', 'Big Fish') and, if nothing else, demonstrates why some writers should stick to their laptops.
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New York Post
Resource

August 31, 2007

The Nines, which in real life began as a TV project, wavers uncomfortably between satire and dime-store existentialism on the big screen.
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Cinema Sight
Resource

September 30, 2008

An interesting, if high minded, concept film that is nothing without its performers.
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Cinema em Cena

February 08, 2008

Em sua estréia como diretor de longas, August faz jus à inteligência de seu roteiro intrincado, criando uma história tensa e instigante que surpreende tanto como ficção quanto como reflexão metafísica/religiosa. Além disso, o elenco revela-se fortíssimo.
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Los Angeles Times
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August 31, 2007

Bright and vicious, desperate and cruel, the characters of the first two stories pop with a kind of nihilistic joie de vivre that makes you want to hug them and kill them at once.
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CinemaBlend.com
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April 16, 2008

August may be peddling some absurd New age "secret", but at least it allows him the benefit of stronger and more coherent storytelling.
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New York Daily News
Resource

August 31, 2007

The dialogue snaps, crackles and pops. And confusing as they may be, the stories are never boring.
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