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The Other Side of the Door
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The Other Side of the Door

Description
Maria becomes consumed with guilt after losing her son Oliver in a tragic accident. When she visits a remote temple to contact her deceased son, Maria unwittingly opens the door to the undead, which causes Oliver's restless spirit to return home and haunt the rest of his family.
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The Other Side of the Door
CRITICS OF "The Other Side of the Door"
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Vanguardia (Mexico)
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May 16, 2016

You can notice some effort in this film, but ultimately ends up being a product passing indifferent to us. [Full review in Spanish]
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Entertainment Weekly
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March 04, 2016

Like all the best horror, The Other Side of the Door is concerned not just with what freaks us out on a gut level, but the deeply-repressed anxieties that truly terrify us.
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TheWrap
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February 23, 2016

There is Conjuring-style haunting. There's a creepy piano that plays itself. And there is an annoyingly liberal use of horror's cheapest gimmick, the jump-scare.
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Cinemanía (Spain)
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May 12, 2016

Feels like a horror genre cliche compilation: the family with the tragic past, the exotic location, and something forbidden that will atract the horrors of the night. [Full review in Spanish]
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Daily Dead
Resource

December 21, 2016

The Other Side of the Door ended up being an enjoyable viewing experience due to Roberts' ability to manipulate familiar tropes and give them a proper twist.
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RogerEbert.com
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March 04, 2016

It might be trying to make a point. If so, it sure is hard to hear it over the noisy screeches and cheap jump scares.
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Time Out
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March 01, 2016

So tasteless in its depiction of India that it makes 'Indiana Jones and the Temple of Doom' look like a triumph of racial awareness.
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RTÉ (Ireland)
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July 19, 2016

Even the most forgiving of horror fans may find it hard to locate something good in this turkey.
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Variety
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February 24, 2016

The type of sporadically silly and patently predictable horror pic that would look like filler on Syfy's weekend lineup, "The Other Side of the Door" brings virtually nothing new to the supernatural genre.
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Reforma
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May 10, 2016

It is an unfortunate mix of other horror films and it wastes a very interesting story with serious narrative problems. [Full review in Spanish]
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Hollywood Reporter
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February 29, 2016

Along with writing partner Ernest Riera, Roberts pilfers odds and ends of Hindu religious practices and folklore to construct a middling ghost story that traces a vaguely Gothic outline, only to follow a wearyingly derivative trajectory.
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