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The Trial
CRITICS OF "The Trial"
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Film4
Resource

February 29, 2012

Labyrinthine, stylized and tragicomic, this adaptation of Kafka's novel sees Welles at his funniest, and his most despairing.
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Time Out
Resource

February 09, 2006

The blackest of Welles' comedies.
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Chicago Sun-Times
Resource

January 01, 2000

Above all a visual achievement, an exuberant use of camera placement and movement and inventive lighting.
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Film Threat

July 27, 2007

Orson Welles' bounced Czech, via Kafka. Not the masterpiece that many Welles fanatics claim, but intriguing and outrageous enough for genuine appreciation.
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Parallax View
Resource

June 20, 2015

The legal system is a literal maze in Welles' visualization and the disparate locations all lead back to one another.
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Chicago Reader
Resource

April 06, 2007

Though debatable as an adaptation of the Franz Kafka novel, Orson Welles's nightmarish, labyrinthine comedy of 1962 remains his creepiest and most disturbing work; it's also a lot more influential than people usually admit.
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New York Times

May 10, 2005

At best, it is another demonstration of the camera vers atility of Mr. Welles; at worse, a further Kafka demonstration extending to the demanding medium of the screen.
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Empire Magazine
Resource

February 29, 2012

Overwhelmingly bleak, but exciting cinema.
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Cinemania
Resource

June 19, 2006

While not exactly Kafka, every inch of it is most certainly Welles
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San Francisco Chronicle
Resource

January 01, 2000

The more Joseph tries to understand, the more impenetrable it becomes.
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TV Guide
Resource

August 29, 2006

Welles applied his bravura directorial style to Kafka's landmark 1925 novel about Joseph K (Perkins), an office clerk who gets arrested without being told why.
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Village Voice

October 30, 2002

The Trial is splendid to look at and teeming with ideas about the individual, society, and of course, film itself.
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